Bollywood superstar Salman Khan will watch Aamir Khan's home production film Delhi Belly

Salman Khan

Bollywood superstar Salman Khan will watch Aamir Khan's home production film Delhi Belly, which hit the screens today.

"All the adults who have seen the film have loved it, so adults go n watch it, I am also gonna watch it," Salman said on micro-blogging site Twitter.

Produced by Aamir Delhi Belly, is an adult comedy, starring Imran Khan, Vir Das, Kunal Roy Kapur in lead roles.

"Wish Imran Khan all the best for DB," Salman said.

Aamir has done an item song -- 'I Hate You..Like I Love You' for the film.

Earlier, while unveiling the first look of the item song, Aamir had said, "I will show the song to all my friends. I am waiting for Salman......my close and a good friend to comment. I think the Dabangg Salman is far ahead of me in
doing item songs.

Delhi Belly story plot , review and rating says a must watch movie

A still from Delhi Belly

Make way for over-the-top profanity and delightfully absurdist humour. Delhi Belly is a raunchy, witty and irreverent film that is bound to please all but the most straitlaced audiences. I haven't had this much fun at the movies in a long time.

Newbie Akshat Varma’s script is hilarious and bitingly perceptive.Delhi Belly is perhaps the first Hindi film not just to understand potty humour as a pop cultural form, but to play it like a maestro pianist. You can’t help but grab your stomach and guffaw as the bumbling trio of Tashi (Khan), Arun (Das) and Nitin (Roy Kapoor) stumble through a landscape defined by stolen diamonds, botched up shootings, dumb sexism and gleeful disrespect of the commode. What works here is that these characters are very real — they bicker and blunder like idiots but not like movie characters, and they toss snappy one-liners the way you and I slough off dead skin-cells.

For most of its short 90-minute runtime, Delhi Belly is sly and darkly humorous, and the postmodern satire playfully deconstructs most Bollywood genres and cliches. I'm aware that the use of Bollywood is an easy target in today’s movies, but the intentionally crude dialog and the plot move quickly and humorously enough to make me believe that the film is smarter than it is lazy. Rather than A-list stars, sophomore Deo directs relatively unpopular actors, and gives them a new chance to shine. Moreover, he has taken Shehnaz Treasury, an actress who killed our brain-cells in films like Radio, and actually made her likable in her brief cameo.

Here we have three youngsters — an unseasoned reporter Tashi, a meek cartoonist Arun and an unkempt photographer Nitin — slumming it at a rundown Delhi apartment. A particularly nasty day begins as Tashi’s fiancé (Treasury) decides to hitch him, Arun’s girlfriend dumps him and Nitin’s appetite begins to overpower him. Enter new colleague Menaka (Jagannath), followed by an unhygienic piece of Tandoori chicken, and all hell breaks loose. The excrement finally hits the ceiling when Nitin’s stool sample gets mixed up with a Russian doll containing diamonds, much to the annoyance of smuggler Somayajulu ( Raaz).

But never mind the story. It doesn’t have layer upon layer of intrigue, and except for the blackmail subplot involving Nitin and a prostitute, Delhi Belly could have been a short story published in an adult version of Tinkle. It's fun, but that's not the point. The point is how screwy it all is, with Deo playing with the rules of Hindi movies. As for the dialogue, I won't repeat any of the uproarious lines that pass between the characters, in part because they often feature ferocious swear words, but also because they'll be funnier if you discover them yourself. Rest assured, the jokes are about as lowbrow and raunchy as any filmmaker in India will ever get with an ‘A’ rating.

It's not high art, nor is Delhi Belly even close to the pinnacle of originality, but it is a jolly good time nonetheless. The running gag of Nitin’s protesting stomach reigns smack down in the middle of the plot, and miraculously it never comes across as tawdry. Vijay Raaz seems have a whole lot of fun as a gangster — it’s clearly the best thing he has ever done.Kunaal Roy Kapoor does well as the typical ‘fat guy with flatulence issues’; Vir Das is quite likable as well. Imran Khan sans the irritating chocolate boy look is surprisingly good here. The trio’s English delivery is mostly convincing.

What works best in the film is the subtle, smooth nature of the comedy — the actors don’t try too hard, nor do they make stupid faces to extort laughs from you. Another big positive is the restrained use of music — unlike in Rohit Shetty and Sajid Khan products — there are no loud, annoying musical cues that accompany every joke.Deo directs with a zippy pace and clarity. The only problem is that the Delhi Belly is overtly calculated, and the songs, though gorgeously relegated to the background, are mercilessly sliced and diced. Hat tip to producer Aamir Khan for shepherding a zany, truly cheeky jet black comedy for adults in an industry that generally delivers stuff like Ready and Tees Maar Khan. Mr Khan even makes sure you stay during the end credits where he makes a hilarious cameo.

Delhi Belly is lethally funny and cynical. It is so gaudy and profane that you can't say it isn't fun in its own exuberant way.Do watch.

BBUDDAH HOGA TERRA BAAP nice review & story plot one's a masala film all the way

BBUDDAH HOGA TERRA BAAP has the 69-year-old Bachchan enacting the role of a defiant, flamboyant hitman in his inimitable style. With BBUDDAH HOGA TERRA BAAP, the angry young man of the 1970s and 1980s re-surfaces to re-live various roles that he enacted in those memorable films. This one's a masala film all the way. Right from a medley of Bachchan hits to the expertly crafted action sequences to the by-now-famous Bachchan baritone, this one has it all.

Frankly, masala films and path-breaking story don't go hand in hand. It's the moments that make a film. And BBUDDAH HOGA TERRA BAAP is no different. This one also rests on a skeletal plot. But that one man makes a world of a difference -- Amitabh Bachchan. He's angry [dare not call him 'Bbuddah'], but has a soft side too. He bashes the baddies, squeezing them like oranges. He gets the best lines to deliver and believe me, it makes the fan in you clap and cheer on several occasions. Let's face it, no Hindi film actor has ever had the opportunity to portray a part that Bachchan gets to portray at the ripe age of 69. Besides saluting the actor for delivering an electrifying performance, I would also like to salute the indomitable spirit and energy of this iconic actor for essaying the role with gusto and zest.

Final word? Bachchan fans -- especially those who have grown up on his movies -- are sure to relish it. Even if you're not a Bachchan fan, watch this one for one simple reason: They don't make them like Amitabh Bachchan anymore!

Viju [Amitabh Bachchan], an ex-gangster, arrives in Mumbai on a mission. He is flamboyant, wears loud clothes, is arrogant and hits back when people call him 'Bbuddah'. At first, everyone thinks that he's on a mission to assassinate the ACP [Sonu Sood], but there's a hidden agenda, which is revealed much later.

BUDDAH HOGA TERRA BAAP is a Hindi film packaged like a well-made South Indian fare: the style of narrating the story, the slick edit, the fast pacing, the stylized action scenes, the larger-than-life characters... The film commences on a pulsating note [Bachchan's intro is smashing], but the first hour works sporadically. While the portions involving Bachchan are exhilarating, there are multiple tracks in this hour which get on your nerves. The scenes in the coffee shop, for instance, are most irritating. Also, the track involving Raveena Tandon comes across like an unwanted guest. If the intention was to evoke laughter, sorry, it doesn't work.

The story actually takes off at the interval point, when an unexpected twist startles the viewer completely. From this point onwards, BBUDDAH HOGA TERRA BAAP only scales higher and higher, reaching the peak towards the action-packed finale and the subsequent emotional reunion. I'd like to single out the confrontation between Bachchan and Prakash Raj in the final moments of the film and also the soaked-in-emotions sequence between Bachchan and Hema. It's the perfect icing on the cake!

While the written material banks too heavily on the tried and tested formula, director Puri Jagannadh ensures that he doesn't disappoint the hardcore fans of the icon. Bachchan is known for, besides his acting potential, larger than life roles and witty/smart dialogue. Puri presents Bachchan like a true superstar and gives him lines that would garner ceetees and taalis, especially when he's confronting the baddies in the movie.

Vishal-Shekhar do a super job while composing the medley of Bachchan hits, 'Go Meera Go', the soft and soothing 'Haal-e-Dil' and the title track, which comes at the very start of the film. Amol Rathod's cinematography is perfect, while Vijay's stunts are stylish.

Bachchan is truly the Baap and this film reiterates this fact yet again. His character, his attitude and the dialogue he delivers will remain etched in your memory for a long, long time. His attire may raise eyebrows initially, but once into the film, you will realize it gels well with his character. Hema Malini is, as always, graceful. The chemistry between the senior actors is refreshing. Raveena is saddled with an ill-defined role and that's the prime reason why she doesn't leave an impact. Sonu Sood is first-rate, confident at every step. Not once do you feel that he's overawed by Bachchan's towering presence. Sonal Chauhan looks pretty and acts well. Charmee Kaur is likeable and contributes to the funny moments.

Prakash Raj is super. In fact, it's a treat to watch powerful actors like Bachchan and Prakash Raj embroiled in a confrontation. Makrand Deshpande is wonderful. Shahwar Ali is okay. Rajeev Mehta irritates. Again, this track seems completely unwanted. Rajeev Varma has a half-baked role. Vishwajeet Pradhan and Atul Parchure are passable.

On the whole, BBUDDAH HOGA TERRA BAAP is a must-watch for Bachchan fans. Even if you're not a fan of this iconic actor, watch it for a simple reason: They don't make them like Amitabh Bachchan anymore. A masala entertainer all the way, BBUDDAH HOGA TERRA BAAP may get affected by the omnipotent and unstoppable DELHI BELLY and TRANSFORMERS wave on Friday [although single screens would perform better than plexes], but the business should multiply on Saturday and Sunday due to Bachchan's bravura act and rock-solid post-interval portions. The producers [A.B. Corp, Viacom18] have already recovered the cost of production by selling the Satellite rights for a hefty sum and recovering the balance amount [P&A] from theatrical business should be a cakewalk, ensuring good profits to the investors in the final tally.